Official studio version
We inhabited each other like it was some kind of disease
I thought that I was flying but I was crawling on my knees
Everybody's got a blind spot that brings 'em down
Everybody's got a blind spot they can't get around
We mixed our blood together down on the muddy shore
I was looking for some lost part of myself, prayed you might restore
Everybody's got a blind spot that brings 'em down
Everybody's got a blind spot they can't get around
So I dreamt my love was lost and I lived, lived by luck and fate
I burned each bridge I crossed until I, I stood at your gate
Everybody's got a blind spot brings 'em down
Everybody's got a blind spot they can't get around
Everybody's got a blind spot, baby, brings 'em down
Everybody's got a blind spot they can't get around
BLIND SPOT is a song written by Bruce Springsteen and first released on the Tracks II: The Lost Albums box set in 2025. The above lyrics are for Bruce Springsteen's official studio version of BLIND SPOT as released in 2025.
The official studio version of BLIND SPOT was included on the Lost And Found: Selections From The Lost Albums compilation in 2025.
BLIND SPOT is the second single from Tracks II: The Lost Albums, released on 17 Apr 2025 at 9:00 a.m. Eastern Time (1:00 p.m. GMT).
A lyric video for BLIND SPOT was later released on Bruce Springsteen's YouTube channel, on 21 Apr 2025 at 3:00 a.m. Eastern Time (7:00 a.m. GMT).
In an online statement that accompanied the release of the BLIND SPOT single, Springsteen wrote in a statement:
"That was just the theme that I locked in on at that moment. I don't really know why. Patti and I, we were having a great time in California. But sometimes if you lock into one song you like, then you follow that thread. I had 'Blind Spot,' and I followed that thread through the rest of the record."
– BS
BLIND SPOT was first known from a demo tape that Springsteen recorded in early 1993. See "The 1993 Home Demo Tape" section below for more details. Two acoustic takes of BLIND SPOT, likely recorded on 25 Feb 1993, are available on that tape. One clocks at 2:08 and the other at 1:51. Neither of the two is finished, but they clearly exhibit the makings of a major work. The recorder is stopped and restarted once during the first take. The second take is more fully realized.
Though not confirmed, it's likely that BLIND SPOT was written in early 1993, not long before the first above-mentioned acoustic demos were recorded. Lyrics in the third verse ("I dreamt my love was lost and I lived by luck and fate") would later become the first line in BACK IN YOUR ARMS.
The song was then recorded in 1994, likely in spring, during the sessions for an album that was ultimately shelved. See the "Unreleased 1994 Album" section below for more details. In all likelihood, it is that 1994 recording that was filed at the United States Copyright Office in 1995 (see the "Copyright Filing" section below for more details) and was eventually released on the Tracks II: The Lost Albums box set in 2025.
Track credits:
Bruce Springsteen: vocals, guitar, keyboards, bass
Tobby Scott: drum programming
Bruce Springsteen: producer
Chuck Plotkin: producer
Jon Landau: producer
Toby Scott: recording engineer
Mike Baumgartner: assistant engineer
Jim Labinski: assistant engineer
Krish Sharma: assistant engineer
Bob Clearmountain: mixing engineer
Jay Militscher: assistant mixing engineer, mixing engineer
Ryan Freeland: mixing engineer, assistant mixing engineer
Tony Duino-Black: assistant mixing engineer, mixing engineer
Mick Patterson: assistant mixing engineer, mixing engineer
Bob Ludwig: mastering engineer
A finished recording of BLIND SPOT was filed at the United States Copyright Office on 07 Apr 1995.
Copyright entry:
Type of Work: Music
Registration Number / Date: PAu001840769 / 1995-04-07
Title: Blindspot.
Description: Sound cassette.
Notes: Words & music.
Copyright Claimant: Bruce Springsteen
Date of Creation: 1995
Names: Springsteen, Bruce
Shawn Poole, a Springsteen fan, visited the Library of Congress in Washington, DC, in late December 2016. There he had the opportunity to listen to some unreleased Bruce Springsteen recordings, including BLIND SPOT. He reported to Backstreets.com:
Like "Between Heaven & Earth," "Blindspot" features a hip-hop-style drum track, synth wash and an electric guitar solo, though this track's solo is more prominent and extended. The rhythm track on "Blindspot" also features the sound of a male shout repeatedly sampled in the same manner that James Brown's and Bobby Byrd's shouts were sampled in Rob Base and DJ EZ Rock's 1988 hip-hop classic "It Takes Two." The lyrics focus on the troubling aspects of interpersonal relationships as well, exploring the darker aspects of our own personalities that can make forging and maintaining our relationships so difficult. Just as everybody's got a hungry heart, so does everybody have a blindspot. Bruce also uses a lyrical image similar to one found in Jackson Browne's "Your Bright Baby Blues" (from The Pretender, produced by Jon Landau) where the singer feels like he's flying at first, but then realizes he's actually on his knees.
Tracks II: The Lost Albums is Bruce Springsteen's follow-up to his 1998 box set Tracks, released on 27 Jun 2025. The box set consists of seven "lost albums" recoded between 1983 and 2018, totaling 83 songs, of which 74 have never been officially released in any form. The seven albums are: L.A. Garage Sessions '83, Streets Of Philadelphia Sessions, Faithless, Somewhere North Of Nashville, Inyo, Twilight Hours, and Perfect World.
Tracks II: The Lost Albums, along with its companion Lost And Found: Selections From The Lost Albums, was officially announced on 03 Apr 2025 at 9:00 a.m. Eastern Time (1:00 p.m. GMT). The announcement was accompanied by a "trailer" for the upcoming set, posted on Bruce Springsteen's YouTube channel and other online services. The previous day, Springsteen released a teaser on his social media accounts, linking to a new website, lostalbums.net, created for the two upcoming releases.
The box set is available in limited edition as a seven-disc CD set and a nine-disc LP set, as well as digital download and streaming. The physical releases will include original packaging for each of the previously unreleased records, with a 100-page cloth-bound, hardcover book featuring rare archival photos, liner notes on each lost album from essayist Erik Flannigan and a personal introduction on the project from Springsteen himself.
Disc 1: (LA Garage Sessions '83)
Disc 2: (Streets Of Philadelphia Sessions)
Disc 3: (Faithless)
Disc 4: (Somewhere North Of Nashville)
Disc 4: (Inyo)
Disc 5: (Twilight Hours)
Disc 6: (Perfect World)
Side 1: (LA Garage Sessions '83)
Side 2: (LA Garage Sessions '83)
Side 3: (LA Garage Sessions '83)
Side 4: (LA Garage Sessions '83)
Side 5: (Streets Of Philadelphia Sessions)
Side 6: (Streets Of Philadelphia Sessions)
Side 7: (Faithless)
Side 8: (Faithless)
Side 9: (Somewhere North Of Nashville)
Side 10: (Somewhere North Of Nashville)
Side 11: (Inyo)
Side 12: (Inyo)
Side 13: (Twilight Hours)
Side 14: (Twilight Hours)
Side 15: (Twilight Hours)
Side 16: (Twilight Hours)
Side 17: (Perfect World)
Side 18: (Perfect World)
Lost And Found: Selections From The Lost Albums is a curated collection of 20 previously unreleased songs from the Tracks II: The Lost Albums box set, released on 27 Jun 2025.
Lost And Found: Selections From The Lost Albums, along with the Tracks II: The Lost Albums box set, was officially announced on 03 Apr 2025 at 9:00 a.m. Eastern Time (1:00 p.m. GMT).
The album is available as a one-disc CD album or two-disc LP set, as well as digital download and streaming. The physical releases will include a personal introduction from Springsteen himself.
Side 1:
Side 2:
Side 3:
Side 4:
During an extended break in the World Tour 1992-1993 (Jan-Mar 1993), Springsteen recorded a collection of acoustic guitar demos at his home in Beverly Hills, CA. A private tape of 14 songs from these sessions (or possibly one session) exists, but is not circulating among collectors:
A comment heard on that tape regarding a well-documented news event indicates that most – or very likely all – of this audio was recorded on 25 Feb 1993. These recordings are similar in sound quality and recording style to Springsteen's 1979 and 1981 home demos cassette recordings. They are not professional studio recordings. Springsteen utilizes a cassette recorder that he manually stops and starts as needed.
None of these recordings exhibit a finished songwriting product. These are unfinished compositions, both musically and lyrically, and are in varying stages of completeness. However most of these songs show enough musical and lyrical development that it's probable that Springsteen finished them sometime during the 1993-1995 period and they exist as fully realized demo or studio recordings in his archive vault.
In early 1994, Bruce Springsteen reportedly stated that he was writing new songs for a new album to be released in 1995 and followed by a world tour. This was reported in German teen magazine Bravo and could not be considered reliable news. However, we knew that he did record a complete album with members of the 1992-1993 touring band in 1994. His manager Jon Landau wasn't a fan of the project and recommended shelving it and focusing more on a career-overview release. This lead to the Greatest Hits sessions with the E Street Band in January 1995. The 1994 album remained unreleased until its inclusion on the Tracks II: The Lost Albums box set in 2025.
"After STREETS OF PHILADELPHIA I spent the better part of [1994] in Los Angeles trying to come up with an album in that vein," Springsteen wrote in his 2016 autobiography Born To Run. "It was an album centering on men and women and it was dark. I'd just made three of those records, varying in tone, in a row. The last two had been met with not indifference, but something like it. I was feeling a faint disconnect with my audience. [...] This would've been my fourth record in a row about relationships. If I could've felt its fullness, I wouldn't have hesitated to put it out. But a not-fully-realized record around the same topic felt like one too many. I had to come to terms with the fact that after my year of work writing, recording, mixing, it was going on the shelf. That's where she sits."
"I've been listening to that for almost 20 years," Springsteen told Andy Greene in a December 2013 interview for Rolling Stone. "There was something at the time that was missing, but sometimes somebody comes along and plugs in that missing piece, or I'll pick it out sometimes every two or three years, and I'll see if I have any fresh insights. And if not, I put it away, and if I do I may work on it a little bit."
According to Brucebase, Springsteen recorded three or four new songs in March 1994, accompanied by a three-man backup band consisting of 1992-1993 touring band members Roy Bittan on keyboards, Tommy Sims on bass, and Zach Alford on drums. He also recorded seven or eight new songs in October-December 1994, accompanied by a three-man backup band consisting of 1992-1993 touring band members Shane Fontayne on guitar, Tommy Sims on bass, and Zach Alford on drums.
In an interview published in the Fall/Winter 2003 issue (#78) of Backstreets magazine, Shane Fontayne confirmed that the album had been sequenced and was ready for release, but was eventually shelved. He only mentioned one song from those sessions, and that was WAITING ON THE END OF THE WORLD. He also said that it was going to be the title of the record. About the album and the sessions, he recounted:
"I came out, and the record was largely recorded. It was as yet unmixed, but as I say, [Springsteen] had a sequence in mind, which I know for him had been such a crucial thing with any records that he made. [...] So I came in, and he wanted me to play on a couple of tracks ─ a couple of tracks turned into four or five, then there were more and more. I spent several days recording with him, with Chuck Plotkin and Toby Scott, while mixing was going on for some of the other stuff across town with Bob Clearmountain. [...] We were recording at his house in L.A. and a little bit at the Record Plant, too, I think it was."
"They had a deadline they were trying to meet. And so there was this frantic, frantic activity, where Bruce was trying to get the recording finished. I mean, I was playing guitar on stuff, trying different ideas, trying stuff with Chuck Plotkin (and getting on great with Chuck); Bruce would come in and would want to try some other stuff, and we'd keep recording; I did some backing vocals... and in the end, this was the record that was going to be coming out."
"It had a hip-hop edge to it. And I thought the material was great. Aside from the rush of recording with him, it also was just a great-sounding record. When I've talked to him about it over the years, he always brings it up and says that he still thinks about releasing it. But at the time, I heard that Jon Landau had felt that lyrically it 'wasn't there.' That's what I seem to remember. Meaning what, I'm not sure. But that seemed to be what the emphasis was about: was this the next statement that was going to be made? 'I'm not sure...'"
"[...] So at that point, yeah, it seemed a surprise. It was a shock ─ because there was a deadline being met, mixes were being done and recording was being done, and then it was shelved. And that's when Greatest Hits replaced it ─ presumably they wanted some new Bruce record to come out."
Until 2025, we knew only of five titles that were recorded during these sessions. BETWEEN HEAVEN AND EARTH and BLIND SPOT never leaked and remained unreleased until 2025. MISSING was used on the soundtrack of a film in 1995 and released as a single the following year. A 2002 re-recording of NOTHING MAN with The E Street Band was released on The Rising album, but the 1994 version never leaked and remains unreleased. A 1995 re-recording of WAITING ON THE END OF THE WORLD with The E Street Band leaked in 1998 when it was released on a bootleg, but the 1994 version never leaked and remains unreleased. Three of those five recordings (the first two and the last one) plus seven more would eventually be released in 2025 on the Tracks II: The Lost Albums box set in 2025.
With the release of the Tracks II: The Lost Albums box set in 2025, more information came to light about the 1994 album when an article about the "Streets Of Philadelphia Sessions" was published on Springsteen's official website.
Written on the heels of its Oscar-winning namesake, "Streets of Philadelphia Sessions" found Springsteen exploring an interest in the rhythms of mid-1990s contemporary music, and particularly West Coast hip-hop. Initially pouring over CDs of drum samples at his home in Los Angeles, Springsteen began making his own loops with engineer Toby Scott — which formed a rhythmic base he'd build on with keyboards and synthesizers. Both a revelation and departure in his home recording, Springsteen is the primary instrumentalist throughout most of "Streets of Philadelphia Sessions" — with some assists from his 1992-1993 touring band as well as Patti Scialfa, Soozie Tyrell and Lisa Lowell.
Fully completed, mixed and slated for a spring 1995 release, "Streets of Philadelphia Sessions" was ultimately put aside — as Springsteen decided to reunite with The E Street Band for the first time in seven years. "I said, 'Well, maybe it's time to just do something with the band, or remind the fans of the band or that part of my work life,'" he remembers. "So that's where we went. But I always really liked 'Streets of Philadelphia Sessions'... during the Broadway show, I thought of putting it out [as a standalone release]. I always put them away, but I don't throw them away."
Bruce Springsteen has never performed BLIND SPOT live.
As far as it's known, no artist has recorded and released Bruce Springsteen's BLIND SPOT.
Some of the above info about the 1993 home demo tape is taken from Brucebase.
If you have any corrections or additions, or any additional info about the 1993 home demo tape, please contact me via the below form or by email: .
List of available versions of BLIND SPOT on this website:
BLIND SPOT [Official studio version]
