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Official studio version
You stare in the mirror at the lines in your face
And you try to see, girl
The way things were when we were at your place
In the days it was just you and me, girl
And you cry because things ain't like before
Well don't you know they can't be that way anymore
But don't worry baby
But I can't talk now, I'm not alone
So put your ear close to the phone
'Cause this is the last dance
This is the last chance for hearts of stone
Hmmm
If there was something, baby, that I could do
Something that would last, honey, I would
But we all know, girl, especially you do
How you can't return to your past, no
So girl close your eyes and I'll be there
Hold me once more and we can go anywhere
Ah, we could babe
But I can't talk now, I'm not alone
Just put your ear close to the phone
This is the last dance
The last chance for hearts of stone
Whoa well, Big Man
And you cry because things ain't like before
Well don't you know they can't be like that anymore
But don't worry baby
I know it baby
But I can't talk now, I'm not alone
So put your ear close to the phone
Baby this is the last chance
The last dance for hearts of stone
This is the last dance
The last chance for hearts of stone
Hmmm
HEARTS OF STONE is a song written by Bruce Springsteen and first released on the Tracks box set in 1998. The above lyrics are for Bruce Springsteen's official studio version of HEARTS OF STONE as released in 1998.
The official studio version of HEARTS OF STONE was also included on the 18 Tracks compilation in 1999.
Springsteen donated the song to Southside Johnny who released it on his 1978 album Hearts Of Stone. See Southside Johnny & The Asbury Jukes' cover version for more details.
HEARTS OF STONE is among 25 songs compiled for a 1993 project that never came to fruition. See the "1993 Concept Album" section below for more details.
Bruce Springsteen reached a final settlement in his yearlong litigation with Mike Appel on 28 May 1977. Effectively this meant that for the first time in a year Springsteen was able to go into a studio and record. The Darkness On The Edge Of Town recording sessions kicked off in early June 1977 at Atlantic Studios in New York City, NY, and later shifted to The Record Plant in New York City, NY. Springsteen had a considerable amount of new material, but the songs were in various stages of writing completion. Consequently many of the songs were shaped over the course of numerous sessions spanning several months.
HEARTS OF STONE was recorded during those sessions. Two different mixes of the same core recording of the song are in circulation. The original mix has been in circulation on bootlegs since the mid-eighties. See unofficial studio version for more details. The song mix is the official studio version which was released on the Tracks box set in 1998.
According to the Tracks booklet liner notes, HEARTS OF STONE was recorded on 14 Oct 1977 at The Record Plant in New York City, NY. It was recorded by Jimmy Iovine, mixed by Bob Clearmountain, and produced by John Landau and Bruce Springsteen. The track features Bruce Springsteen on vocals and guitar, Danny Federici on organ, Garry Tallent on bass, Clarence Clemons on saxophone, Steven Van Zandt on guitar, Roy Bittan on piano, Max Weinberg on drums, and a horns section consisting of Jerry Vivino on tenor sax, Ed Manion on baritone sax, Mark "The Love Man" Pender on trumpet, Richie "La Bamba" Rosenberg on trombone, and Mike Spengler on trumpet.
The original 1977 recording of HEARTS OF STONE has been heavily edited and polished for its release on the Tracks box set. A horn section (Vivino-Manion-Pender-Rosenberg-Spengler) was recorded in 1998 and added to the final mix. Background vocals, seemingly by Steven Van Zandt, were also added, though in the liner notes he's only credited for guitar. Moreover, the verses in the second half of the song were drastically rearranged or edited out. See the unofficial studio version for more details.
In his 2012 book E Street Shuffle: The Glory Days Of Bruce Springsteen & The E Street Band, Clinton Heylin revealed that in 1993 a 25-song compilation was produced for an archival project, which presumably became the Tracks box set released in 1998. According to Brucebase, the archival concept "album" was produced in-house, presumably following the conclusion of World Tour 1992-1993, perhaps to demonstrate the quality of Springsteen's unreleased archive.
Many of these 25 songs have been subsequently released, either on the Tracks box set or as part of other projects, and some others are known outtakes that are yet to circulate among fans. However, two are only known from this 25-song list: ARNIE and THAT'S OKAY.
In the liner notes of his Tracks box set, Bruce Springsteen introduces the box set as follows:
During long intervals between my record releases, as I was spending more and more time in the studio, when I met a fan out on the street I was often asked, "What are you guys doing in there?" I regularly pondered that question myself.
What we were doing in there was making a lot of music, a lot more music than I could use at any one time. As a result, my albums became a series of choices — what to include, what to leave out? I based my decisions on my creative point of view at the moment — the subject I was trying to focus on, something musical or emotional I was trying to express. In certain instances, as on Darkness on the Edge of Town, Nebraska, and The Ghost of Tom Joad, these choices crystallized the album I was making. On some of my other records the reasons I had for choosing one song over another, in hindsight, feel a good deal less significant. One of the results of working like this was that a lot of music, including some of my favorite things, remained unreleased.
This collection contains everything from the first notes I sang in the Columbia recording studio, my early and later work with the E Street Band, through to my music in the 90s. It's the alternate route to some of the destinations I travelled to on my records, an invitation into the studio on the many nights we spent making music in search of the records we presented to you. I'm glad to finally be able to share this music; here are some of the ones that got away.
- Bruce Springsteen, September 1998
Bruce Springsteen's albums were thematically linked even if they were not strictly concept albums; so some tracks that didn't fit the theme of the album ended up orphaned, not necessarily because they didn't meet his high standards, but because, he says, they didn't fit in with the tone or themes he mined for each set. Many of these unreleased studio outtakes got under the hands of bootleggers. Discussing that issue in 1984, Springsteen told Rolling Stone's Kurt Loder, "We record a lot of material, but we just don't release it all. [...] I always tell myself that some day I'm gonna put an album out with all this stuff on it that didn't fit in. I think there's some good material there that should come out. Maybe at some point, I'll do that."
During a break in The Ghost Of Tom Joad Solo Acoustic Tour, Springsteen thought that "if it's gonna be a year or longer in between records, I have all this music that I know is very good that I never released and I should release some of it whether it was just a CD or something. In that period of time, I should put something out because people would like to have it and I'd like to see it get out." He told Toby Scott (his audio archivist and recording engineer), "send me all the archives, send everything that we recorded". Scott then went to work gathering the potential material from Springsteen's massive audio library (located, along with Sony's sound archives, in the high-tech Iron Mountain facility near Buffalo, NY). "For a week or so," he told Billboard in a Nov 1998 interview, "I just listened to everything that I'd done that we hadn't put out. I made some very brief notes in a notebook, and then I just put it away. It was something that I could do at some point when I get to that place in a new project where I'm not sure how long it's going to take and it would be nice to sort of fill the gap so the fans wouldn't be so long without hearing any music from me".
Springsteen told Mark Hagen in an interview for Mojo magazine published in January 1999, "So it began just with that idea and we listened to about 250 songs, maybe more, I made quick notes in a notebook and put it away. A year went by, more maybe, and I came off the Tom Joad tour and I began to write acoustically again and I wrote about half a record. Then I got stuck and said, 'Well, I'm going to put this aside for a while.' Then I wrote half of an electric record, and hit the same place. So I thought, instead of waiting for another year to put something out I'll put some of this music together. So once again I went back to the archives." According to interview comments made by engineer Toby Scott (Springsteen's audio archivist and recording engineer), it was in February 1998 during solo sessions being conducted at Thrill Hill Recording (Springsteen's home studio) in Colts Neck, NJ, that Springsteen told Scott that the time was right to proceed with the long-anticipated box set of archived, unreleased studio takes. Thrill Hill Recording served as the main operational center for all Tracks project activities. Note that the "Thrill Hill Recording" name is used for whatever home studio Springsteen is recording at, whether it's in Rumson, NJ, Colts, NJ, or Beverly Hills, CA.
Springsteen told Billboard that the songs were culled from between 200 and 300 tunes. According to Toby Scott, the number was down to about 128 songs by late June 1998. It was then narrowed down yet again in July to about 100 songs that were prepped for the Tracks release. Although the project was originally projected to be a 6-disc set, there was a commercial decision made later in the summer to reduce the size of the release to a 4-disc (66-track) set. The package was delivered to Sony in mid-September in order to facilitate the mid-November 1998 release schedule.
Unreleased songs from the Greetings From Asbury Park, NJ sessions were not included on the box set due to ongoing and still-unresolved court proceedings involving most of these unreleased 1972 recordings. The court battle wasn't resolved until in 2001 (April 2001 in the UK and June 2001 in the U.S.), and those recordings are now free for release at any time. The opening four tracks of the box set — which were culled from Springsteen's 03 May 1972 Columbia Records audition — were not part of the court proceedings.
On 16 Jul 1998, Springsteen attended a convention for Sony Music Entertainment Inc. in Miami, FL, where he officially announced that a box set was the works and he played a tape of three songs: WHERE THE BANDS ARE, LOOSE ENDS, and I WANNA BE WITH YOU.
The Tracks box set was released on Columbia Records on 10 Nov 1998. It was issued on both compact disc and audio cassette formats. It's a 4-disc (or 4-cassette) set consisting of a total of 66 tracks (almost 4.5 hours long), 10 of which were heretofore unavailable single B-sides, 6 were demos and alternate versions of already-released material, and 50 (48 studio and 2 live) were never-before-released songs recorded during the sessions for Springsteen's many albums. Some tracks were treated with a recent touch-up here or there to give the older recordings a fresh polish.
Disc 1 (CD format):
| 1. | MARY QUEEN OF ARKANSAS | Recorded on 03 May 1972 at CBS Studios, New York City, NY |
| 2. | IT'S HARD TO BE A SAINT IN THE CITY | Recorded on 03 May 1972 at CBS Studios, New York City, NY |
| 3. | GROWIN' UP | Recorded on 03 May 1972 at CBS Studios, New York City, NY |
| 4. | DOES THIS BUS STOP AT 82ND STREET? | Recorded on 03 May 1972 at CBS Studios, New York City, NY |
| 5. | BISHOP DANCED | Recorded live on 31 Jan 1973 at Max's Kansas City, New York City, NY |
| 6. | SANTA ANA | Recorded on 28 Jun 1973 at 914 Sound Studios, Blauvelt, NY |
| 7. | SEASIDE BAR SONG | Recorded on 28 Jun 1973 at 914 Sound Studios, Blauvelt, NY |
| 8. | ZERO AND BLIND TERRY | Recorded on 28 Jun 1973 at 914 Sound Studios, Blauvelt, NY |
| 9. | LINDA LET ME BE THE ONE | Recorded on 28 Jun 1975 at The Record Plant, New York City, NY |
| 10. | THUNDERCRACK | Recorded on 28 Jun 1973 at 914 Sound Studios, Blauvelt, NY |
| 11. | RENDEZVOUS | Recorded live on 31 Dec 1980 at Nassau Coliseum, Uniondale, NY |
| 12. | GIVE THE GIRL A KISS | Recorded on 10 Nov 1977 at The Record Plant, New York City, NY |
| 13. | ICEMAN | Recorded on 27 Oct 1977 at The Record Plant, New York City, NY |
| 14. | BRING ON THE NIGHT | Recorded on 13 Jun 1979 at The Power Station, New York City, NY |
| 15. | SO YOUNG AND IN LOVE | Recorded on 06 Jan 1974 at The Record Plant, New York City, NY |
| 16. | HEARTS OF STONE | Recorded on 14 Oct 1977 at The Record Plant, New York City, NY |
| 17. | DON'T LOOK BACK | Recorded on 02 Jul 1977 at The Record Plant, New York City, NY |
Disc 2 (CD format):
| 1. | RESTLESS NIGHTS | Recorded on 11 Apr 1980 at The Power Station, New York City, NY |
| 2. | A GOOD MAN IS HARD TO FIND (PITTSBURGH) | Recorded on 05 May 1982 at The Power Station, New York City, NY |
| 3. | ROULETTE | Recorded on 03 Apr 1979 at The Power Station, New York City, NY |
| 4. | DOLLHOUSE | Recorded on 21 Aug 1979 at The Power Station, New York City, NY |
| 5. | WHERE THE BANDS ARE | Recorded on 09 Oct 1979 at The Power Station, New York City, NY |
| 6. | LOOSE ENDS | Recorded on 18 Jul 1979 at The Power Station, New York City, NY |
| 7. | LIVING ON THE EDGE OF THE WORLD | Recorded on 07 Dec 1979 at The Power Station, New York City, NY |
| 8. | WAGES OF SIN | Recorded on 10 May 1982 at The Power Station, New York City, NY |
| 9. | TAKE 'EM AS THEY COME | Recorded on 10 Apr 1980 at The Power Station, New York City, NY |
| 10. | BE TRUE | Recorded on 21 Jul 1979 at The Power Station, New York City, NY |
| 11. | RICKY WANTS A MAN OF HER OWN | Recorded on 16 Jul 1979 at The Record Plant, New York City, NY |
| 12. | I WANNA BE WITH YOU | Recorded on 31 May 1979 at The Power Station, New York City, NY |
| 13. | MARY LOU | Recorded on 30 May 1979 at The Power Station, New York City, NY |
| 14. | STOLEN CAR | Recorded on 26 Jul 1979 at The Power Station, New York City, NY |
| 15. | BORN IN THE U.S.A. | Recorded in January 1983 at Thrill Hill Recording, Colts Neck, NJ |
| 16. | JOHNNY BYE-BYE | Recorded in January 1983 at Thrill Hill Recording, Beverly Hills, CA |
| 17. | SHUT OUT THE LIGHT | Recorded in January 1983 at Thrill Hill Recording, Beverly Hills, CA |
Disc 3 (CD format):
| 1. | CYNTHIA | Recorded on 20 Apr 1983 at The Hit Factory, New York City, NY |
| 2. | MY LOVE WILL NOT LET YOU DOWN | Recorded on 05 May 1982 at The Hit Factory, New York City, NY |
| 3. | THIS HARD LAND | Recorded on 11 May 1982 at The Power Station, New York City, NY |
| 4. | FRANKIE | Recorded on 14 May 1982 at The Power Station, New York City, NY |
| 5. | TV MOVIE | Recorded on 13 Jun 1983 at The Hit Factory, New York City, NY |
| 6. | STAND ON IT | Recorded on 16 Jun 1983 at The Hit Factory, New York City, NY |
| 7. | LION'S DEN | Recorded on 25 Jan 1982 at The Power Station, New York City, NY |
| 8. | CAR WASH | Recorded on 31 May 1983 at The Hit Factory, New York City, NY |
| 9. | ROCKAWAY THE DAYS | Recorded on 03 Feb 1984 at The Hit Factory, New York City, NY |
| 10. | BROTHERS UNDER THE BRIDGES ('83) | Recorded on 04 Sep 1983 at The Hit Factory, New York City, NY |
| 11. | MAN AT THE TOP | Recorded on 12 Jan 1984 at The Hit Factory, New York City, NY |
| 12. | PINK CADILLAC | Recorded on 31 May 1983 at The Hit Factory, New York City, NY |
| 13. | TWO FOR THE ROAD | Recorded in February 1987 at Thrill Hill Recording, Colts Neck, NJ |
| 14. | JANEY, DON'T YOU LOSE HEART | Recorded on 16 Jun 1983 at The Hit Factory, New York City, NY |
| 15. | WHEN YOU NEED ME | Recorded on 10 Jan 1987 at The Hit Factory, New York City, NY |
| 16. | THE WISH | Recorded on 22 Feb 1987 at The Hit Factory, New York City, NY |
| 17. | THE HONEYMOONERS | Recorded on 22 Feb 1987 at The Hit Factory, New York City, NY |
| 18. | LUCKY MAN | Recorded on 04 Apr 1987 at The Hit Factory, New York City, NY |
Disc 4 (CD format):
| 1. | LEAVIN' TRAIN | Recorded on 27 Feb 1990 at Oceanway Studios, Los Angeles, CA |
| 2. | SEVEN ANGELS | Recorded on 29 Jun 1990 at Oceanway Studios, Los Angeles, CA |
| 3. | GAVE IT A NAME | Recorded on 24 Aug 1998 at Thrill Hill Recording, Colts Neck, NJ |
| 4. | SAD EYES | Recorded on 25 Jan 1990 at Soundworks West, Los Angeles, CA |
| 5. | MY LOVER MAN | Recorded on 04 Dec 1990 at Soundworks West, Los Angeles, CA |
| 6. | OVER THE RISE | Recorded on 07 Dec 1990 at Soundworks West, Los Angeles, CA |
| 7. | WHEN THE LIGHTS GO OUT | Recorded on 06 Dec 1990 at The Record Plant, Los Angeles, CA |
| 8. | LOOSE CHANGE | Recorded on 31 Jan 1991 at Record Plant, Los Angeles, CA |
| 9. | TROUBLE IN PARADISE | Recorded on 01 Dec 1989 at Soundworks West, Los Angeles, CA |
| 10. | HAPPY | Recorded on 18 Jan 1992 at A & M Studios, Los Angeles, CA |
| 11. | PART MAN, PART MONKEY | Recorded in January 1990 at Soundworks West, Los Angeles, CA |
| 12. | GOIN' CALI | Recorded on 29 Jan 1991 at A & M Studios, Los Angeles, CA |
| 13. | BACK IN YOUR ARMS | Recorded on 12 Jan 1995 at The Hit Factory, New York City, NY |
| 14. | BROTHERS UNDER THE BRIDGE | Recorded on 22 May 1995 at Thrill Hill Recording, Beverly Hills, CA |
18 Tracks is a Bruce Springsteen compilation album released on Columbia Records in 1999. The album compiles 15 tracks from the Tracks box set, plus 3 previously unreleased recordings. The collection release was intended for the more casual fans who didn't purchase the pricey 4-disc box set. It also served the purpose as a promotional tie-in for the E Street Band's The Reunion Tour that was announced at the same time of the sampler's release.
18 Tracks was released on 13 Apr 1999 on Columbia Records. It features 18 Springsteen compositions and clocks at 71:12. The album was released on CD, cassette tape, MiniDisc, and vinyl.
| 1. | GROWIN' UP | Recorded on 03 May 1972 at CBS Studios, New York City, NY |
| 2. | SEASIDE BAR SONG | Recorded on 28 Jun 1973 at 914 Sound Studios, Blauvelt, NY |
| 3. | RENDEZVOUS | Recorded live on 31 Dec 1980 at Nassau Coliseum, Uniondale, NY |
| 4. | HEARTS OF STONE | Recorded on 14 Oct 1977 at Record Plant, New York City, NY |
| 5. | WHERE THE BANDS ARE | Recorded on 09 Oct 1979 at The Power Station, New York City, NY |
| 6. | LOOSE ENDS | Recorded on 18 Jul 1979 at The Power Station, New York City, NY |
| 7. | I WANNA BE WITH YOU | Recorded on 31 May 1979at The Power Station, New York City, NY |
| 8. | BORN IN THE U.S.A. | Recorded in January 1982 at Thrill Hill Recording, Colts Neck, NJ |
| 9. | MY LOVE WILL NOT LET YOU DOWN | Recorded on 05 May 1982 at The Hit Factory, New York City, NY |
| 10. | LION'S DEN | Recorded on 25 Jan 1982 at The Power Station, New York City, NY |
| 11. | PINK CADILLAC | Recorded on 31 May 1983 at The Hit Factory, New York City, NY |
| 12. | JANEY, DON'T YOU LOSE HEART | Recorded on 16 Jun 1983 at The Hit Factory, New York City, NY |
| 13. | SAD EYES | Recorded on 25 Jan 1990 at Soundworks West, Los Angeles, CA |
| 14. | PART MAN, PART MONKEY | Recorded in January 1990 at Soundworks West, Los Angeles, CA |
| 15. | TROUBLE RIVER | Recorded on 06 Apr 1990 at Soundworks West, Los Angeles, CA |
| 16. | BROTHERS UNDER THE BRIDGE | Recorded on 22 May 1995 at Thrill Hill Recording, Beverly Hills, CA |
| 17. | THE FEVER | Recorded on 16 May 1973 at 914 Sound Studios, Blauvelt, NY |
| 18. | THE PROMISE | Recorded on 12 Feb 1999 at Thrill Hill Recording, Colts Neck, NJ |
In addition to its release on Tracks and 18 Tracks, the official studio version of HEARTS OF STONE was also included on Tracks Sampler and on one European EP.
Other versions of HEARTS OF STONE were also officially released.
In preparation for the Darkness On The Edge Of Town Tour, HEARTS OF STONE is known to have been practiced on 19 May 1978 at Paramount Theatre in Asbury Park, NJ, during the only known/confirmed private rehearsal prior to the tour's start.
HEARTS OF STONE was sound-checked prior to the 28 Apr 1999 show in Lyon, France, (as far as it's known) but it was not performed on any of The Reunion Tour's regular shows.
HEARTS OF STONE was performed once during the Wrecking Ball Tour (133 dates, March 2012 to September 2013), on 16 Jul 2013 in Limerick, Ireland. The song was played solo on acoustic guitar during the acoustic pre-show.
HEARTS OF STONE was performed twice during the High Hopes Tour (34 dates, January to May 2014). On this tour, the song was played in its full-band arrangement. Audio recordings for most High Hopes Tour shows are officially available for purchase. See the live 29 Apr 2014 version for more details.
HEARTS OF STONE was performed off-tour on 26 Nov 1988 at The Stone in San Francisco, CA, during a guest appearance with Southside Johnny & The Asbury Jukes. See the live 26 Nov 1988 version for more details.
HEARTS OF STONE was performed during the fourteenth (2014) and fifteenth (2015) annual Light Of Day benefits. The song was played in its full-band arrangement with Joe Grushecky & The Houserockers.
Bruce Springsteen appeared at a total of six Joe Grushecky & The Houserockers concerts at Soldiers & Sailors Memorial Hall & Museum in Pittsburgh, PA, in 2010, 2011, and 2014. Hearts of stone was performed on 22 May 2014 and 23 May 2014. The song was played in its full-band arrangement.
At least 11 artists have recorded and released Bruce Springsteen's HEARTS OF STONE.
List of available versions of HEARTS OF STONE on this website:
HEARTS OF STONE [Official studio version]
