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THE PROMISE©Official studio versionJohnny works in a factory, Billy works downtown Page last updated: 24 Aug 2008IntroMusic and lyrics by Bruce Springsteen, THE PROMISE is a Darkness On The Edge Of Town outtake that was played live between 1976 and 1978 with some lyrics variations. The song was re-recorded in 1999 and released on 18 Tracks in April of that year. It would reappear live a few times during subsequent tours. The above lyrics are for the version that was released on 18 Tracks.
Writing DateTHE PROMISE appeared for the first time on 03 Aug 1976 when it was performed live in concert at Monmouth Arts Centre, Red Bank, NJ. The song would disappear from subsequent shows, returning in late September with rewritten lyrics (check out the live 03 Aug 1976 version and the live 29 Sep 1976 version). This might lead to the conclusion that THE PROMISE was written shortly before 03 Aug 1976. However, during the first few months of the Darkness On The Edge Of Town Tour, Springsteen was introducing the song by saying it was written "just after [he] wrote 'Born To Run'." In one particular show (29 May 1978 in Boston), he says, "This is the first song I wrote after uh... two years ago... right after we recorded 'Born To Run'." However it is a bit unclear if Bruce is referring to the song "Born To Run" (mid-1974) or the album "Born To Run" (mid-1975). That it might have been written in 1974 made some wonder if just maybe THE PROMISE had been recorded as an outtake during the Born To Run sessions. That led Backstreets Magazine editor Charles Cross to ask Mike Appel about this very matter during a 1990 interview. Appel seemed adamant that it was not a song that Bruce had introduced to the Born To Run recording sessions, let alone recorded. This tends to support the idea that THE PROMISE was something Bruce wrote after mid-1975. The Story behind the SongDespite the marvelous reception received by both Born To Run and the tour which followed, the relationship between Bruce Springsteen and his now former manager and producer, Mike Appel, was deteriorating. In July 1976, the storm broke; Mike Appel wrote to Springsteen saying that he would not allow Jon Landau (Springsteen's friend and co-producer of Born To Run) to produce the next album, citing a particular paragraph from their original agreement. Bruce replied on 27 Jul 1976 by firing manager Mike Appel and suing him and his management company Laurel Canyon Ltd. in Federal Court in Manhattan, claiming fraud, breach of trust, and undue influence. Appel countersued on 29 Jul in New York State Supreme Court, asking the court to prohibit Springsteen and Jon Landau from working together in studio. Bruce Springsteen and The E Street Band were slated to enter the studio that year for the recording of a new album, except that on 15 Sep 1976, the judge in the lawsuits case ruled that Springsteen was enjoined from any further recording with Columbia Records until Appel's suit was resolved. This would drag for about a year. THE PROMISE gained considerable reputation as Springsteen's ultimate tale of betrayal following live performances beginning in 1976 and even more so in 1977 and 1978. Fans and critics alike have speculated over whether it is about the infamous lawsuit that kept him from the recording studio. When he heard the song for the first time in South Bend, IN, (on 09 Oct 1976 at Notre Dame University) the Chicago Reader critic John Milward was moved to write: "The song's metaphor is 'The Challenger,' a race car that the singer has built by hand 'to carry the broken dreams of all those who have lost.' But the real twist comes during the song's bridge, when he sings the words 'thunder road' and immediately transforms his car into his rock and roll dreams. In 'The Promise,' Springsteen mythologizes himself and compares his struggle to be true to his art to the desperate struggle of the young racer. He sings in 'Thunder Road' that 'tonight's the night all the promises will be broken,' but the dream etched in 'The Promise' and put into perspective by Springsteen's own experience is clearly a romantic notion that is not easily shattered. Despite a landscape filled with losers – the singer eventually sells his car when he needs money – it's clear that in Springsteen's heart the Challenger's potential will never die." Dave Marsh writes in his Springsteen biography Born To Run: The Bruce Springsteen Story that "when Milward refers to 'Springsteen's own experience,' he is clearly alluding to the lawsuit, but Milward is canny enough to know that the lawsuit itself is only a symbol of what Bruce had undergone since Born To Run catapulted him to fame. 'The Promise' is rather about the price everyone pays for success – and the dangers of settling for anything less. The lawsuit began in July 1976 and Springsteen debuted the song only a week or two later at an early August show in Red Bank, NJ (see "Live History" section below). One does wonder if his decision to debut the song in concert might have been influenced by the just-unfolding litigation. Springsteen has publicly denied that THE PROMISE is about the Laurel Canyon debacle. "I don't write songs about lawsuits," Springsteen said, and the fact that people might think that "The Promise" was concerned only with legalities kept it off his fourth album. It is believed that this whole "debacle" at least influenced the feel and lyrics of the song – the timing and some of the topics discussed in the song make the connection pretty obvious. By 1978, Springsteen was singing the song with a rewritten final verse (check out the live 23 May 1978 version for example): Well now my daddy taught me how to walk quiet and how to make my peace with the past PrequelBruce Springsteen played two benefit solo acoustic shows for DoubleTake Magazine, on 19 and 20 Feb 2003 at Somerville Theatre, Somerville, MA. He closed out each night with a Q&A session, taking questions from the audience. On the first night, a fan asks him "what was 'The Promise' about?" Springsteen answers that "after Born To Run, I wrote that [the Promise] for Darkness I think. And I was reflecting on sort of the flip side of 'Thunder Road' I think. I was reflecting on the responsibilities that I thought came with my fortune at that time and how it sort of fitted into my life and... that's generally what I remember it, it being about in some fashion." THE PROMISE explicitly mentions the song THUNDER ROAD by name but reveals a far more pessimistic outlook on the narrator's life and future. Introducing the song during the 23 Oct 1999 show at Staples Center, Los Angeles, CA, Springsteen says that "this is a song I wrote as a kind of a follow-up to 'Thunder Road'." Studio RecordingSpringsteen reached a final settlement in his yearlong litigation with Mike Appel on 28 May 1977. Effectively this meant that for the first time in a year Springsteen was able to go into a studio and record. The Darkness On The Edge Of Town recording sessions kicked off in early June 1977 at Atlantic Record Studios, New York City, NY. Springsteen had a considerable amount of new material – but the songs were in various stages of writing completion. Consequently many of the songs were shaped over the course of numerous sessions spanning several months. According to Dave Marsh, "the first evening [of the album's recording sessions] was spent spent laying down demos of about twenty songs Bruce had written and more or less completed during the lawsuit. They included [...] 'The Promise' [...] from the live shows of the previous year." From the Darkness On The Edge Of Tow recording sessions, three takes of THE PROMISE are in circulation:
THE PROMISE was slated to appear on the Darkness On The Edge Of Town album, but too many reviewers of the live shows had considered the song as being "about" the lawsuit with Mike Appel. Fearing that this would cause a misinterpretation of the message he meant to convey, Springsteen held it back and replaced it with RACING IN THE STREET. According to interview comments made by engineer Toby Scott (Springsteen's audio archivist and recording engineer), it was in February 1998 during solo sessions being conducted at Thrill Hill East (Bruce's home studio in Colt's Neck, NJ) that Springsteen told Scott that the time was right to proceed with the long-anticipated box set of archived, unreleased studio takes. THE PROMISE was going to be included on the box set in 1998, but Springsteen said that he didn't have a version that he liked enough to release. He rejected it opting to record a new version in 1999 that would be issued on 18 Tracks. Apparently, it is the Sep-Oct 1977 studio take that Bruce rejected for the Tracks box set; check it out for more details on this subject. Although the Tracks project dominated activities during the remainder of 1998 Springsteen also recorded numerous new songs at his home studio during the between Feb 1998 and Feb 1999, although little has been released. THE PROMISE was recorded on 12 Feb 1999 at Thrill Hill East, Bruce's home studio in Colt's Neck, NJ. The song is produced by Springsteen alone, and features him solo on vocals and piano. It was specifically recorded for its inclusion on the 18 Tracks compilation album which was released on 13 Apr 1999. It was one of the 3 "bonus" tracks on 18 Tracks that don't appear on Tracks.
Official ReleasesBesides its release on 18 Tracks, THE PROMISE was included on only one other official release: "SAD EYES - THE FEVER - THE PROMISE", a rare 1999 Argentina-only promotional single; reportedly limited to 100 copies. The disc comes in a plain PVC sleeve. Catalogue # COL 2-000510.
Live HistoryIn 1976 and 1977, as the Born To Run Tour dragged on with Springsteen's continuing frustration with his legal situation, the shows became his only outlet. Horn sections were added, songs further arranged, more oldies pulled out, performances sometimes reached the three- or four-hour mark. New material such as the bitter THE PROMISE would appear out of nowhere, then disappear again. THE PROMISE debuted live on 03 Aug 1976 at the Monmouth Arts Centre, Red Bank, NJ, during the part of the Born To Run Tour known as the "Lawsuit Tour". This debut featured different lyrics to later versions. Check out the live 03 Aug 1976 version for more details. The song would disappear from subsequent shows, returning in late September with rewritten lyrics (check out the live 29 Sep 1976 version). The song is known to have been played a total of 22 times during the Born To Run Tour – confirmed to be played on 16 shows during the 1st leg of the "Lawsuit Tour" (29 known dates: Aug-Nov 1976), and on 6 shows during the 2nd leg of the "Lawsuit Tour" (33 known dates: Feb-Mar 1977). Note that some setlists from this period are incomplete or unknown, and therefore the song might have been played on more occasions. The actual recording sessions for Darkness On The Edge Of Town were completed by early January 1978, and the mixing sessions dragged until early April. Bruce and the band start preparing for the upcoming tour, and the only known/confirmed pre-tour rehearsal was on 19 May 1978 at the Paramount Theater, Asbury Park, NJ. THE PROMISE was one of the numbers performed during that private rehearsal (audience tape available - check out the live 19 May 1978 version). This was the full E Street Band arrangement of the song only played this way during these rehearsals and on the opening night of the Darkness On The Edge Of Town Tour. In 1978, Springsteen was singing the song with a rewritten final verse. The Darkness On The Edge Of Town Tour kicked-off on 23 May 1978 in Buffalo, and THE PROMISE was performed that night in the full E Street Band arrangement that would never be used on any future show (check out the live 23 May 1978 version). The song was played a total of 20 times out of the 111 shows of the tour, all of which in the tour's first three months. It should be noted that a few setlists from this period are incomplete or unknown, and therefore some performances of the song on this tour remain unconfirmed. The 15 Jul 1978 show at The Coliseum, Houston, TX, featured the last known performance of THE PROMISE on this tour and the last until it's comeback more than two decades later, when it was released on 18 Tracks and performed during The Reunion Tour. Bruce Springsteen and The E Street Band embarked on The Reunion Tour in April 1999, and THE PROMISE made three apparitions only during that tour, played solo on grand piano:
On The Rising Tour, THE PROMISE appeared only twice, played solo on grand piano:
The song appeared 7 times during the Devils & Dust Solo Acoustic Tour, played solo on grand piano:
By the time this page was last updated, the 20 Oct 2005 show at DCU Center, Worcester, MA, is the last known performance of THE PROMISED. AwardsTHE PROMISE was nominated for two 1999 Grammy Awards: "Best Rock Song" and "Best Male Rock Vocal Performance". It lost for the Red Hot Chili Peppers' SCAR TISSUE and Lenny Kravitz's AMERICAN WOMAN respectively. Springsteen did not attend the award ceremonies which took place on 23 Feb 2000 at Staples Center, Los Angeles, CA.
CoversA few artists covered THE PROMISE, most of which on Bruce Springsteen tribute albums:
Available VersionsList of available versions of THE PROMISE on this website:
Credits / ReferencesSome of the above info about the studio sessions and the live performances are taken from Brucebase. Scans and info for the above Argentina promo single are taken from the Lost In The Flood website. Info for some of the above THE PROMISE cover releases are taken from the Nebraska website. |
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