DARKNESS ON THE EDGE OF TOWN

Album version

Well, they're still racing out at the Trestles
But that blood it never burned in her veins
Now I hear she's got a house up in Fairview
And a style she's trying to maintain

Well, if she wants to see me
You can tell her that I'm easily found
Tell her there's a spot out 'neath Abram's Bridge
And tell her there's a darkness on the edge of town
There's a darkness on the edge of town

Well, everybody's got a secret Sonny
Something that they just can't face
Some folks spend their whole lives trying to keep it
They carry it with them every step that they take

Till some day they just cut it loose
Cut it loose or let it drag 'em down
Where no one asks any questions
Or looks too long in your face
In the darkness on the edge of town
In the darkness on the edge of town

Well, now some folks are born into a good life
And other folks get it anyway anyhow
Well, I lost my money and I lost my wife
Them things don't seem to matter much to me now

Tonight I'll be on that hill 'cause I can't stop
I'll be on that hill with everything I've got
Well, lives on the line where dreams are found and lost
I'll be there on time and I'll pay the cost
For wanting things that can only be found
In the darkness on the edge of town
In the darkness on the edge of town


Page last updated: 02 Oct 2012

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Intro

Music and lyrics by Bruce Springsteen, DARKNESS ON THE EDGE OF TOWN is the tenth (and closing) track on his 1978 album Darkness On The Edge Of Town. The above lyrics are for Springsteen's studio version of DARKNESS ON THE EDGE OF TOWN as released on Darkness On The Edge Of Town.

Composition and Recording

[COMING SOON]

Darkness On The Edge Of Town

Despite the marvelous reception received by both Born To Run and the tour which followed, the relationship between Bruce Springsteen and his now former manager and producer Mike Appel was deteriorating. In July 1976 the storm broke; Mike Appel wrote to Springsteen saying that he would not allow Jon Landau (Springsteen's friend and co-producer of Born To Run) to produce the next album, citing a particular paragraph from their original agreement. Bruce replied on 27 Jul 1976 by firing manager Mike Appel and suing him and his management company Laurel Canyon Ltd. in Federal Court in Manhattan, claiming fraud, breach of trust, and undue influence. Appel countersued on 29 Jul 1976 in New York State Supreme Court, asking the court to prohibit Springsteen and Jon Landau from working together in studio. Bruce Springsteen and The E Street Band were slated to enter the studio that year for the recording of a new album, except that on 15 Sep 1976 the judge in the lawsuits case ruled that Springsteen was enjoined from any further recording with Columbia Records until Appel's suit was resolved. This would drag for about a year.

Meanwhile, Springsteen continued gigging, and in the process broke his self-imposed rule of not playing the larger arenas. This was basically because he was not able to put a record out, and it was the only way his fans would be able to hear him at all.

Springsteen reached a final settlement in his yearlong litigation with Mike Appel on 28 May 1977. Effectively this meant that for the first time in a year Springsteen was able to go into a studio and record. The Darkness On The Edge Of Town recording sessions kicked off in early June 1977 at Atlantic Record Studios, New York City, NY. Springsteen had a considerable amount of new material, but the songs were in various stages of writing completion. Consequently many of the songs were shaped over the course of numerous sessions spanning several months.

The sessions at Atlantic Studios were only two or three weeks old when problems surfaced. Springsteen didn't like the sound he was getting from the studio, particularly the drums. On top of that Atlantic Studios did not offer a particularly comfortable or livable environment for the musicians. A decision was taken to shift operations to the nearby Record Plant where most of the Born To Run album had been recorded. However financial commitments to Atlantic Studios were already made, and on such short notice it was hard to find un-booked studio time at the popular Record Plant. Consequently the Jul-Aug 1977 period saw Springsteen and the band recording at both studios, but mostly Atlantic Studios. From September to late December, all the recording seems to have taken place at The Record Plant, where all the recordings issued on the original album emanate from.

The actual recording sessions for Darkness On The Edge Of Town were completed by early January 1978. The mixing sessions began in early January 1978 and dragged on until late March. There was a tremendous amount of different mixes considered, with Springsteen changing his mind on the mix of THE PROMISED LAND as late as early April.

Darkness On The Edge Of Town was released on Columbia Records on 02 Jun 1978. It was produced by Bruce Springsteen and Jon Landau.

[Click thumbnail to enlarge/reduce artwork]

The album features 10 new Springsteen compositions and clocks at 42:55.

Darkness On The Edge Of Town
track listing, side 1 (vinyl LP format)

  1. BADLANDS
  2. ADAM RAISED A CAIN
  3. SOMETHING IN THE NIGHT
  4. CANDY'S ROOM
  5. RACING IN THE STREET

Darkness On The Edge Of Town
track listing, side 2 (vinyl LP format)

  1. THE PROMISED LAND
  2. FACTORY
  3. STREETS OF FIRE
  4. PROVE IT ALL NIGHT
  5. DARKNESS ON THE EDGE OF TOWN

Official Releases

[COMING SOON]

Live History

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Covers

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Available Versions

List of available versions of DARKNESS ON THE EDGE OF TOWN on this website:

Credits / References

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